![]() ![]() This collection, after all, did double-duty as a birthday celebration. There were also, of course, those reminders of Dior’s storied past. But at the same time I didn’t want to lose this idea of dreaming, and of exciting. “I have an idea that couture has to dress people. “I’m Italian, I’m a different tradition of couture,” says Chiuri, in English strongly accented by her Roman upbringing. Namely, the tussle between the dream of Haute Couture, and its reality. Likewise, Chiuri looked backwards to create her own new looks – to Dior’s debut, of course, but also to other, more abstract notions. “I didn’t want to lose this idea of dreaming, and of exciting” Maria Grazia Chiuri Rather, it was an amalgamation of memories and recollections – of Dior’s own childhood in the Belle Époque, before the outbreak of the Great War of the wide crinolines of Empress Eugénie, when Haute Couture was first born of Marie Antoinette, even, and the old, comfortable hierarchies of the Ancien Régime. Harper’s Bazaar, that declared the look ‘new’, which it wasn’t. Dior himself called the ‘Corolla’, after the opening of the petals of a flower, or ‘8’, to describe those undulating feminine curves. ![]()
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